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While Woody Allen is generally considered to be a master of the comic genre he created, his serious films are very important in understanding his role as one of this generation's more influential filmmakers. In this work such Allen films as Annie Hall (1977), Broadway Danny Rose (1984), Crimes and Misdemeanors (1989) and Mighty Aphrodite (1995) are analyzed for the common philosophical themes they share. Gender issues, Allen's love-hate relationship with God, narcissism and moral relativism, and the use of the so-called existential dilemma are among the topics discussed. The extensive research is augmented with a rare interview with Allen.
While Woody Allen is generally considered to be a master of the comic genre he created, his serious films are very important in understanding his role as one of
While Woody Allen is generally considered to be a master of the comic genre he created, his serious films are very important in understanding his role as one of
In this pathbreaking new book, Mary P. Nichols challenges this, arguing that Allen's work, from Play It Again, Sam to Deconstructing Harry, is actually an attem
This is the first uncensored, unauthorized biography of a filmmaker who is to his era what Charlie Chaplin & Buster Keaton were to theirs - & the first biograph
Fifteen philosophers representuing different schools of thought answer the question what is Woody Allen trying to say in his films? And why should anyone care?
