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"This book is about the new practice of "videographic essays", aka video essays, in which users construct a short video (short film) out of pieces of existing work, generally with a voice-over commentary, to engage in a critique of a film or general artistic/cultural/social etc commentary. The book examines the aesthetic issues raised by such work in the context of the cinema studies discipline, the experience of some of its leading practitioners, how newcomers can best approach the task of making such a videographer essay, the question of copyright, the history of the medium, etc."--Résumé de l'éditeur.
"This book is about the new practice of "videographic essays", aka video essays, in which users construct a short video (short film) out of pieces of existing w
With its increasing presence in a continuously evolving media environment, the essay film as a visual form raises new questions about the construction of the su
The latest installment of a digital humanities bellwether Contending with recent developments like the shocking 2016 U.S. Presidential election, the radical tra
Cinephilia and History, or The Wind in the Trees is in part a history of cinephilia, in part an attempt to recapture the spirit of cinephilia for the discipline
