The Cinema of Werner Herzog

The Cinema of Werner Herzog
Author: Brad Prager
Publisher: Columbia University Press
Total Pages: 230
Release: 2007
Genre: Performing Arts
ISBN: 1905674171


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More than any other director, Werner Herzog is renowned for pushing the boundaries of conventional cinema, especially those between the fictional and the factual, the fantastic and the real. Drawing on over 35 films, this book explores his continuing search for what he has described as the 'ecstatic truth'


The Cinema of Werner Herzog
Language: en
Pages: 230
Authors: Brad Prager
Categories: Performing Arts
Type: BOOK - Published: 2007 - Publisher: Columbia University Press

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More than any other director, Werner Herzog is renowned for pushing the boundaries of conventional cinema, especially those between the fictional and the factua
Werner Herzog – A Guide for the Perplexed
Language: en
Pages: 592
Authors: Paul Cronin
Categories: Biography & Autobiography
Type: BOOK - Published: 2014-08-05 - Publisher: Faber & Faber

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This edition of Herzog on Herzog presents a completely new set of interviews in which Werner Herzog discusses his career from its very beginnings to his most re
A Companion to Werner Herzog
Language: en
Pages: 651
Authors: Brad Prager
Categories: Performing Arts
Type: BOOK - Published: 2012-05-21 - Publisher: John Wiley & Sons

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A Companion to Werner Herzog showcases over two dozen original scholarly essays examining nearly five decades of filmmaking by one of the most acclaimed and inn
The Cinema of Werner Herzog
Language: en
Pages: 229
Authors: Brad Prager
Categories: Performing Arts
Type: BOOK - Published: 2007 - Publisher: Columbia University Press

GET EBOOK

More than any other director, Werner Herzog is renowned for pushing the boundaries of conventional cinema, especially those between the fictional and the factua
The Films of Werner Herzog
Language: en
Pages: 245
Authors: Timothy Corrigan
Categories: Performing Arts
Type: BOOK - Published: 2013-12-17 - Publisher: Routledge

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Given Herzog’s own pronouncement that ‘film is not the art of scholars, but of illiterates,’ it is not surprising that his work has aroused ambivalent and