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Shyam Benegal is the best known and most prolific contemporary film-maker from India's arthouse or 'New Cinema' tradition. This work traces a career with its beginnings in political cinema and a realist aesthetic. Sangeeta Datta demonstrates how the struggles of women and the dispossessed and marginalised in Indian society have found an eloquent expression in films as diverse as Nishant, Bhumika, Mandi, Suraj Ka Satwan Ghoda and Kalyug. The book also traces Benegal's work with his protégés and collaborators including many of the biggest names in Indian Cinema - Shabana Azmi, Smita Patil, Naseeruddin Shah, Karishma Kapoor and A.R. Rahman.
Shyam Benegal is the best known and most prolific contemporary film-maker from India's arthouse or 'New Cinema' tradition. This work traces a career with its be
For over forty years, Shyam Benegal has been one the leading forces in Indian cinema. Informed by a rich political and philosophical sensibility and a mastery o
This book examines Shyam Benegal’s films and alternative image(s) of India in his cinema, and traces the trajectory of changing aesthetics of his cinema in th
Satyajit Ray, one of the greatest auteurs of twentieth century cinema, was a Bengali motion-picture director, writer, and illustrator who set a new standard for