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Offering the first systematic examination of five modern Japanese fictional narratives, all of them available in English translations, Atsuko Sakaki explores Natsume Sōseki’s Kokoro and The Three-Cornered World; Ibuse Masuji’s Black Rain; Mori Ōgai’s Wild Geese; and Tanizaki Jun’ichirō’s Quicksand. Her close reading of each text reveals a hitherto unexplored area of communication between narrator and audience, as well as between “implied author” and “implied reader.” By using this approach, the author situates each of these works not in its historical, cultural, or economic contexts but in the situation the text itself produces.
Offering the first systematic examination of five modern Japanese fictional narratives, all of them available in English translations, Atsuko Sakaki explores Na
Humor may surface in numerous and diverse contexts, which at the same time determine how humor works, its form, and its functions and consequences for interlocu
Offering the first systematic examination of five modern Japanese fictional narratives, all of them available in English translations, Atsuko Sakaki explores Na
In the humanities and social sciences, context is one of those terms which is frequently used and frequently referred to, but hardly made explicit. This book pr
Currently there is an enduring and changing meaning of social work in a world where new crises are being confronted and new opportunities are arriving in the ev