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This volume includes the first English translations of Paulo Emílio Salles Gomes’ most influential essays on Hollywood, Soviet, European and Brazilian Cinema. Provides readers with theoretical ruminations on the vicissitudes of developing a national film archive, extending our appreciation of national film theory to encompass such practical endeavours. Shows how Brazil’s national film culture was theorised through extensive engagements with international trends thereby broadening our understanding of national cinema.
This volume includes the first English translations of Paulo Emílio Salles Gomes’ most influential essays on Hollywood, Soviet, European and Brazilian Cinema
"Paulo Emílio Salles Gomes (1916-77) is revered in Brazil as the first ardent defender, promotes and theorist of Brazilian cinema. A film professor, critic and
André Bazin remains one of the most read, most studied, and most engaging figures ever to have written about film. Fifty years after his death, he is still wid
Postmodernism may seem a particularly inappropriate term when used in conjunction with a region that is usually thought of as having only recently, and then une
Written by a team of veteran scholars and exciting emerging talents, The SAGE Handbook of Film Studies maps the field internationally, drawing out regional diff
