New Postcolonial British Genres

New Postcolonial British Genres
Author: Sarah Ilott
Publisher: Palgrave Macmillan
Total Pages: 206
Release: 2014-01-14
Genre: Performing Arts
ISBN: 9781349567768


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This study analyses four new genres of literature and film that have evolved to accommodate and negotiate the changing face of postcolonial Britain since 1990: British Muslim Bildungsromane, gothic tales of postcolonial England, the subcultural urban novel and multicultural British comedy.


New Postcolonial British Genres
Language: en
Pages: 206
Authors: Sarah Ilott
Categories: Performing Arts
Type: BOOK - Published: 2014-01-14 - Publisher: Palgrave Macmillan

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This study analyses four new genres of literature and film that have evolved to accommodate and negotiate the changing face of postcolonial Britain since 1990:
New Postcolonial British Genres
Language: en
Pages: 217
Authors: Sarah Ilott
Categories: Performing Arts
Type: BOOK - Published: 2015-09-01 - Publisher: Springer

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This study analyses four new genres of literature and film that have evolved to accommodate and negotiate the changing face of postcolonial Britain since 1990:
New Postcolonial British Genres
Language: en
Pages: 216
Authors: Sarah Ilott
Categories: Performing Arts
Type: BOOK - Published: 2015-09-01 - Publisher: Springer

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This study analyses four new genres of literature and film that have evolved to accommodate and negotiate the changing face of postcolonial Britain since 1990:
Postcolonial Youth in Contemporary British Fiction
Language: en
Pages: 328
Authors:
Categories: Business & Economics
Type: BOOK - Published: 2021-07-19 - Publisher: BRILL

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The concepts of 'youth' and the 'postcolonial' both inhabit a liminal locus where new ways of being in the world are rehearsed and struggle for recognition agai
Postcolonial Satire
Language: en
Pages: 223
Authors: Amy L. Friedman
Categories: Literary Criticism
Type: BOOK - Published: 2019-10-16 - Publisher: Rowman & Littlefield

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Postcolonial Satire: Indian Fiction and the Reimagining of Menippean Satire positions postcolonial South Asian satiric fiction in both the cutting-edge territor