Image Processing for Cinema

Image Processing for Cinema
Author: Marcelo Bertalmio
Publisher: CRC Press
Total Pages: 314
Release: 2014-02-04
Genre: Computers
ISBN: 1439899282


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Image Processing for Cinema presents a detailed overview of image processing techniques that are used in practice in digital cinema. The book shows how image processing has become ubiquitous in movie-making, from shooting to exhibition. It covers all the ways in which image processing algorithms are used to enhance, restore, adapt, and convert movi


Image Processing for Cinema
Language: en
Pages: 314
Authors: Marcelo Bertalmio
Categories: Computers
Type: BOOK - Published: 2014-02-04 - Publisher: CRC Press

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Image Processing for Cinema presents a detailed overview of image processing techniques that are used in practice in digital cinema. The book shows how image pr
Image Processing for Cinema
Language: en
Pages: 323
Authors: Marcelo Bertalmío
Categories: Technology & Engineering
Type: BOOK - Published: 2014-02-04 - Publisher: CRC Press

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Image Processing for Cinema presents a detailed overview of image processing techniques that are used in practice in digital cinema. The book shows how image pr
Digital Image Processing with Application to Digital Cinema
Language: en
Pages: 400
Authors: K. Thyagarajan
Categories: Computers
Type: BOOK - Published: 2006 - Publisher: Taylor & Francis

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First Published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
Image and Geometry Processing for 3-D Cinematography
Language: en
Pages: 307
Authors: Rémi Ronfard
Categories: Mathematics
Type: BOOK - Published: 2010-06-29 - Publisher: Springer Science & Business Media

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papers, illustrated with examples. They include wavelet bases, implicit functions de ned on a space grid, etc. It appears that a common pattern is the recovery
Digital Imaging in Popular Cinema
Language: en
Pages: 208
Authors: Lisa Purse
Categories: Performing Arts
Type: BOOK - Published: 2013-01-07 - Publisher: Edinburgh University Press

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Explores how film analysis can take account of the presence of digital images in cinema. Not just for digital effects enthusiasts, this book is essential for an