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This book traces the story of the first eurythmist, Lory Maier-Smits, with artistic care and loving detail. The author describes her early exposure to anthroposophy; her training under Rudolf Steiner from 1912; the first performance of eurythmy during the Theosophical Society festival in 1913; Rudolf Steiner's lectures on the new art of movement; the staging of eurythmy under the direction of Marie Steiner; and Maier-Smits' later work as a trainer of eurythmists. Also given is an account of Maier-Smits' path of personal development, her marriage and family life.
The actual historical moments of birth of the various arts are not known. At most, significant changes of direction are distinguishable – and these are usuall
In the autumn of 1912, Rudolf Steiner presented the first eurythmy performance. It marked the revival, in modern form, of the sacred art of dance, which had bee
This illuminating collection of essays and reminiscences by Rudolf Steiner's pupils and early collaborators contains a wealth of personal details on Steiner and
16 talks preceding eurythmy performances (CW 277 / 277a) The art of eurythmy strives to make the invisible visible in a harmonious and disciplined play of color
Following his lecture-course Eurythmy as Visible Singing, these fundamental lectures on speech eurythmy – offered in response to specific requests – gave Ru
