Filmosophy

Filmosophy
Author: Daniel Frampton
Publisher: Wallflower Press
Total Pages: 274
Release: 2006
Genre: Performing Arts
ISBN: 9781904764847


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'Filmosophy' is a manifesto for a radically philosophical way of understanding cinema. The book coalesces 20th century ideas of film as thought into a practical theory of 'film-thinking', arguing that film style conveys poetic ideas through a constant dramatic 'intent' about the characters, spaces, and events of film.


Filmosophy
Language: en
Pages: 274
Authors: Daniel Frampton
Categories: Performing Arts
Type: BOOK - Published: 2006 - Publisher: Wallflower Press

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'Filmosophy' is a manifesto for a radically philosophical way of understanding cinema. The book coalesces 20th century ideas of film as thought into a practical
Filmosophy
Language: en
Pages: 266
Authors: Daniel Frampton
Categories: Performing Arts
Type: BOOK - Published: 2006 - Publisher: Columbia University Press

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'Filmosophy' is a manifesto for a radically philosophical way of understanding cinema. The book coalesces 20th century ideas of film as thought into a practical
The Real Gaze
Language: en
Pages: 268
Authors: Todd McGowan
Categories: Performing Arts
Type: BOOK - Published: 2012-02-01 - Publisher: State University of New York Press

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Winner of the 2008 Gradiva Award, Theoretical Category, presented by the National Association for the Advancement of Psychoanalysis The Real Gaze develops a new
Filmosophy - About Framptons Radically New Way of Understanding Cinema
Language: en
Pages: 53
Authors: Martin Thiele
Categories: Performing Arts
Type: BOOK - Published: 2009 - Publisher: GRIN Verlag

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Seminar paper from the year 2009 in the subject Film Science, grade: 1,3, University of Potsdam, course: Film + Philosophy = Filmosophy, language: English, abst
Hermeneutics of the Film World
Language: en
Pages: 321
Authors: Alberto Baracco
Categories: Philosophy
Type: BOOK - Published: 2017-10-09 - Publisher: Springer

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This book identifies a new methodological strategy for the interpretation of film philosophizing. Many recent works in film philosophy, adopting the approach id