DV Filmmaking

DV Filmmaking
Author: Ian David Aronson
Publisher: "O'Reilly Media, Inc."
Total Pages: 316
Release: 2006
Genre: Computers
ISBN: 9780596008482


Download DV Filmmaking Book in PDF, Epub and Kindle

Written in an accessible style, this work aims to provide a foundation to a beginner and also addresses the fine points of filmmaking that are suitable for directors and educators.


DV Filmmaking
Language: en
Pages: 316
Authors: Ian David Aronson
Categories: Computers
Type: BOOK - Published: 2006 - Publisher: "O'Reilly Media, Inc."

GET EBOOK

Written in an accessible style, this work aims to provide a foundation to a beginner and also addresses the fine points of filmmaking that are suitable for dire
Practical DV Filmmaking
Language: en
Pages: 421
Authors: Russell Evans
Categories: Performing Arts
Type: BOOK - Published: 2013-07-31 - Publisher: Taylor & Francis

GET EBOOK

Written for the beginner, Practical DV Filmmaking guides you thorough the process of making a film with low-cost digital equipment: from development through to
Practical DV Filmmaking
Language: en
Pages: 420
Authors: Russell Evans
Categories: Art
Type: BOOK - Published: 2013-07-31 - Publisher: CRC Press

GET EBOOK

Written for the beginner, Practical DV Filmmaking guides you thorough the process of making a film with low-cost digital equipment: from development through to
Voice and Vision: A Creative Approach to Narrative Film and DV Production
Language: en
Pages: 561
Authors: Mick Hurbis-Cherrier
Categories: Performing Arts
Type: BOOK - Published: 2007-03-13 - Publisher: Taylor & Francis

GET EBOOK

Voice & Vision is a comprehensive manual for the independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of
Voice & Vision
Language: en
Pages: 591
Authors: Mick Hurbis-Cherrier
Categories: Computers
Type: BOOK - Published: 2012 - Publisher: Taylor & Francis

GET EBOOK

Ch. 1. From idea to cinematic stories -- Ch. 2. The screenplay -- Ch. 3. The visual language and aesthetics of cinema -- Ch. 4. Organizing cinematic time and sp