Death and Desire in Hegel, Heidegger and Deleuze

Death and Desire in Hegel, Heidegger and Deleuze
Author: Brent Adkins
Publisher: Edinburgh University Press
Total Pages: 232
Release: 2007-11-22
Genre: Philosophy
ISBN: 0748631801


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Despite what its title might suggest, Death and Desire is a meditation on life. Using the texts of Hegel, Heidegger, and Deleuze, the author argues that philosophy has been dominated by a form of thought that focuses exclusively on death. The importance of Death and Desire lies in its refusal of the morbidity of much contemporary philosophy. Its uniqueness lies in placing Hegel, Heidegger, and Deleuze in conversation. Its usefulness lies in the clarity with which it articulates and compares these very diverse thinkers.


Death and Desire in Hegel, Heidegger and Deleuze
Language: en
Pages: 232
Authors: Brent Adkins
Categories: Philosophy
Type: BOOK - Published: 2007-11-22 - Publisher: Edinburgh University Press

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Despite what its title might suggest, Death and Desire is a meditation on life. Using the texts of Hegel, Heidegger, and Deleuze, the author argues that philoso
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Type: BOOK - Published: 2024-06-14 - Publisher: Taylor & Francis

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This thought-provoking study explores the philosophical resources provided by Hegel and Heidegger to grasp the nature of the “I” and combines those resource
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Authors: Karen Houle
Categories: Philosophy
Type: BOOK - Published: 2013-06-30 - Publisher: Northwestern University Press

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Hegel and Deleuze cannily examines the various resonances and dissonances between these two major philosophers. The collection represents the best in contempora
Heidegger on Death and Being
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Authors: Johannes Achill Niederhauser
Categories: Philosophy
Type: BOOK - Published: 2020-11-21 - Publisher: Springer Nature

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The book is the first detailed and full exegesis of the role of death in Heidegger’s philosophy and provides a decisive answer to the question of being. It is
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Authors: Elena del R�o
Categories: Performing Arts
Type: BOOK - Published: 2017-11-30 - Publisher: Bloomsbury Publishing USA

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For Elena del R�o, extreme cinema is not only qualitatively different from the representations of violence we encounter in popular, mainstream cinema; it also