Dance Imagery for Technique and Performance, Second Edition

Dance Imagery for Technique and Performance, Second Edition
Author: Eric N. Franklin
Publisher: Human Kinetics
Total Pages: 392
Release: 2013-09-30
Genre: Fiction
ISBN: 0873229436


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Franklin provides 583 imagery exercises to improve dance technique, artistic expression and performance. More than 160 illustrations highlight the images, and the exercises can be put to use in dance movement and choreography.


Dance Imagery for Technique and Performance, Second Edition
Language: en
Pages: 392
Authors: Eric N. Franklin
Categories: Fiction
Type: BOOK - Published: 2013-09-30 - Publisher: Human Kinetics

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Franklin provides 583 imagery exercises to improve dance technique, artistic expression and performance. More than 160 illustrations highlight the images, and t
Conditioning for Dance 2nd Edition
Language: en
Pages: 400
Authors: Franklin, Eric
Categories: Performing Arts
Type: BOOK - Published: 2018-10-21 - Publisher: Human Kinetics

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Eric Franklin’s first edition of Conditioning for Dance was a bestseller—and it is back and better than ever, offering state-of-the-art conditioning exercis
Dance Psychology for Artistic and Performance Excellence
Language: en
Pages: 312
Authors: Taylor, Jim
Categories: Performing Arts
Type: BOOK - Published: 2015-06-02 - Publisher: Human Kinetics

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Dance Psychology for Artistic and Performance Excellence helps dancers develop psychological strength to maximize their performance. The book covers the key men
Dynamic Alignment Through Imagery
Language: en
Pages: 450
Authors: Eric Franklin
Categories: Performing Arts
Type: BOOK - Published: 2012-01-31 - Publisher: Human Kinetics

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Dynamic Alignment Through Imagery, Second Edition, expands on the classic text and reference written by Eric Franklin, an internationally renowned teacher, danc
The Cambridge Handbook of the Imagination
Language: en
Pages: 865
Authors: Anna Abraham
Categories: Psychology
Type: BOOK - Published: 2020-06-18 - Publisher: Cambridge University Press

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The human imagination manifests in countless different forms. We imagine the possible and the impossible. How do we do this so effortlessly? Why did the capacit