Bride of Frankenstein

Bride of Frankenstein
Author: Scott Essman
Publisher: Scott Essman
Total Pages: 12
Release: 2011-03
Genre: Fiction
ISBN: 0557723000


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As we look back on key cinematic moments from the 115-year-long life of motion pictures, there is no denying the impact of classic horror films on the movie landscape. Seventy-five years ago, a new type of monster burst onto the screen in an all-time classic movie, and though she appeared for only a few scant minutes at the very end of the film, she was instantly and forever stamped in viewer's minds as one of the leading horror icons in cinema history: The Bride of Frankenstein.


Bride of Frankenstein
Language: en
Pages: 12
Authors: Scott Essman
Categories: Fiction
Type: BOOK - Published: 2011-03 - Publisher: Scott Essman

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As we look back on key cinematic moments from the 115-year-long life of motion pictures, there is no denying the impact of classic horror films on the movie lan
Bride of Frankenstein - 75th Anniversary Article W/Photos
Language: en
Pages: 8
Authors: Scott Essman
Categories: Fiction
Type: BOOK - Published: 2010-10-05 - Publisher: Scott Essman

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As we look back on key cinematic moments from the 115-year-long life of motion pictures, there is no denying the impact of classic horror films on the movie lan
Frankenstein
Language: en
Pages: 7
Authors: Scott Essman
Categories: Fiction
Type: BOOK - Published: 2011-12-29 - Publisher: Scott Essman

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80th anniversary article about the landmark horror film, 1931's Frankenstein, illustrated with photos, paintings and digital renderings of the film's key charac
The Bride of Frankenstein
Language: en
Pages: 210
Authors: Carl Dreadstone
Categories: Bride of Frankenstein (Motion picture)
Type: BOOK - Published: 1977 - Publisher: Berkley Publishing Group

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The Turn to Gruesomeness in American Horror Films, 1931-1936
Language: en
Pages: 241
Authors: Jon Towlson
Categories: Performing Arts
Type: BOOK - Published: 2016-09-12 - Publisher: McFarland

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Critics have traditionally characterized classic horror by its use of shadow and suggestion. Yet the graphic nature of early 1930s films only came to light in t