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While Woody Allen is generally considered to be a master of the comic genre he created, his serious films are very important in understanding his role as one of this generation's more influential filmmakers. In this work such Allen films as Annie Hall (1977), Broadway Danny Rose (1984), Crimes and Misdemeanors (1989) and Mighty Aphrodite (1995) are analyzed for the common philosophical themes they share. Gender issues, Allen's love-hate relationship with God, narcissism and moral relativism, and the use of the so-called existential dilemma are among the topics discussed. The extensive research is augmented with a rare interview with Allen.
While Woody Allen is generally considered to be a master of the comic genre he created, his serious films are very important in understanding his role as one of
In this pathbreaking new book, Mary P. Nichols challenges this, arguing that Allen's work, from Play It Again, Sam to Deconstructing Harry, is actually an attem
This new textbook is an abridgment of the author's earlier Woody Allen's Angst: Philosophical Commentaries on His Serious Films (McFarland, 1997; "invaluable"--
Comprising the classic bestsellers Getting Even, Without Feathers, and Side Effects, this definitive collection of comic writings is from a man who needs no Int
This is the first uncensored, unauthorized biography of a filmmaker who is to his era what Charlie Chaplin & Buster Keaton were to theirs - & the first biograph
