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Fifteen philosophers representuing different schools of thought answer the question what is Woody Allen trying to say in his films? And why should anyone care? Focusing on different works and varied aspects of Allen's multifaceted output, these essays explore the philosophical undertones of Anne Hall, Crimes and Misdemeanors, Manhattan, A Midsummer Night's Sex Comedy and reminds us that just because the universe is meaningless and life is pointless is no reason to commit suicide.
Fifteen philosophers representuing different schools of thought answer the question what is Woody Allen trying to say in his films? And why should anyone care?
While Woody Allen is generally considered to be a master of the comic genre he created, his serious films are very important in understanding his role as one of
In this extended essay, Vittorio H sle develops a theory of the comical and applies it to interpret both the recurrent personae played by Woody Allen the actor
“A psychologically nuanced, tough-minded portrait” of the New York filmmaker and his relationships with Mia Farrow and Soon-Yi Previn (Publishers Weekly). W
Doing Philosophy at the Movies finds the roots of profound philosophical ideas in the relatively ordinary context of popular, mostly Hollywood, movies. Richard