Women's Periodicals and Print Culture in Britain, 1918-1939

Women's Periodicals and Print Culture in Britain, 1918-1939
Author: Catherine Clay
Publisher: Edinburgh University Press
Total Pages: 936
Release: 2018-03-07
Genre: Social Science
ISBN: 1474412556


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Explores the problem of anthropomorphism: a major bone of contention in 8th to 14th-century Islamic theology


Women's Periodicals and Print Culture in Britain, 1918-1939
Language: en
Pages: 936
Authors: Catherine Clay
Categories: Social Science
Type: BOOK - Published: 2018-03-07 - Publisher: Edinburgh University Press

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Explores the problem of anthropomorphism: a major bone of contention in 8th to 14th-century Islamic theology
Women's Periodicals and Print Culture in Britain, 1940s-2000s
Language: en
Pages: 709
Authors: Forster Laurel Forster
Categories: Women's periodicals, English
Type: BOOK - Published: 2020-09-21 - Publisher: Edinburgh University Press

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Foregrounds the diversity of periodicals, fiction and other printed matter targeted at women in the postwar periodForegrounds the diversity and the significance
Women, Periodicals and Print Culture in Britain, 1890s-1920s
Language: en
Pages: 488
Authors: Faith Binckes
Categories: British periodicals
Type: BOOK - Published: 2019-04-10 - Publisher: Edinburgh University Press

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New perspectives on women's contributions to periodical culture in the era of modernismThis collection highlights the contributions of women writers, editors an
Woman's Weekly and Lower Middle-Class Domestic Culture in Britain, 1918-1958
Language: en
Pages: 280
Authors: Eleanor Reed
Categories: Literary Criticism
Type: BOOK - Published: 2022-03-23 - Publisher: Liverpool University Press

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A unique intersection between periodical and literary scholarship, and class and gender history, this book showcases a brand-new approach to surveying a popular
Modernism and Modernity in British Women’s Magazines
Language: en
Pages: 211
Authors: Alice Wood
Categories: Literary Criticism
Type: BOOK - Published: 2020-05-12 - Publisher: Routledge

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This book explores responses to the strangeness and pleasures of modernism and modernity in four commercial British women’s magazines of the interwar period.