Women's Experimental Cinema

Women's Experimental Cinema
Author: Robin Blaetz
Publisher: Duke University Press
Total Pages: 433
Release: 2007-10-16
Genre: Performing Arts
ISBN: 0822392089


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Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various influences on her work, examining the development of her corpus, and interpreting a significant number of individual films. The essays rescue the work of critically neglected but influential women filmmakers for teaching, further study, and, hopefully, restoration and preservation. Just as importantly, they enrich the understanding of feminism in cinema and expand the terrain of film history, particularly the history of the American avant-garde. The contributors examine the work of Marie Menken, Joyce Wieland, Gunvor Nelson, Yvonne Rainer, Carolee Schneemann, Barbara Rubin, Amy Greenfield, Barbara Hammer, Chick Strand, Marjorie Keller, Leslie Thornton, Abigail Child, Peggy Ahwesh, Su Friedrich, and Cheryl Dunye. The essays highlight the diversity in these filmmakers’ forms and methods, covering topics such as how Menken used film as a way to rethink the transition from abstract expressionism to Pop Art in the 1950s and 1960s, how Rubin both objectified the body and investigated the filmic apparatus that enabled that objectification in her film Christmas on Earth (1963), and how Dunye uses film to explore her own identity as a black lesbian artist. At the same time, the essays reveal commonalities, including a tendency toward documentary rather than fiction and a commitment to nonhierarchical, collaborative production practices. The volume’s final essay focuses explicitly on teaching women’s experimental films, addressing logistical concerns (how to acquire the films and secure proper viewing spaces) and extending the range of the book by suggesting alternative films for classroom use. Contributors. Paul Arthur, Robin Blaetz, Noël Carroll, Janet Cutler, Mary Ann Doane, Robert A. Haller, Chris Holmlund, Chuck Kleinhans, Scott MacDonald, Kathleen McHugh, Ara Osterweil, Maria Pramaggiore, Melissa Ragona, Kathryn Ramey, M. M. Serra, Maureen Turim, William C. Wees


Women's Experimental Cinema
Language: en
Pages: 433
Authors: Robin Blaetz
Categories: Performing Arts
Type: BOOK - Published: 2007-10-16 - Publisher: Duke University Press

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Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and m
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Pages: 316
Authors: Jean Petrolle
Categories: Experimental films
Type: BOOK - Published: 2005 - Publisher: University of Illinois Press

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Women and Experimental Filmmaking gathers essays by some of the top scholars in cinema studies dealing with women experimental filmmakers. Tracking the topic ac
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Language: en
Pages: 276
Authors: Lauren Rabinovitz
Categories: Experimental films
Type: BOOK - Published: 2003 - Publisher: University of Illinois Press

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In detailing the relationship of three women filmmakers' lives and films to the changing institutions of the post-World War II era, Lauren Rabinovitz has create
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Pages: 372
Authors: Wheeler W. Dixon
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Type: BOOK - Published: 2002 - Publisher: Psychology Press

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Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of
Experimental Women
Language: en
Pages: 194
Authors: Giulia Simi
Categories: Performing Arts
Type: BOOK - Published: 2021 - Publisher: Cinema & Cie

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A special issue of Cinéma&Cie which aims at tracing experiences of women's practices at the intersection of cinema and the arts by intertwining a theoretical a