Tracing Southern Storytelling in Black and White

Tracing Southern Storytelling in Black and White
Author: Sarah Gilbreath Ford
Publisher: University of Alabama Press
Total Pages: 169
Release: 2014-10-15
Genre: Literary Criticism
ISBN: 0817318232


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Explores how both black and white southern writers such as Joel Chandler Harris, Charles Chesnutt, Zora Neale Hurston, William Faulkner, Eudora Welty, Ralph Ellison, Ellen Douglas, and Ernest Gaines have employed oral storytelling in literature Tracing Southern Storytelling in Black and White is a study of the historical use of oral storytelling by southern writers in written works. In each chapter, Sarah Gilbreath Ford pairs a white and an African American writer to highlight points of confluence in black and white southern oral traditions. She argues that the connections between white and African American southern writers run deeper than critics have yet explored, and she uses textual comparisons to examine the racial mixing of oral culture. On porches, in kitchens, and on the pages of their work, black and white southerners exchanged not just stories but strategies for telling stories. As a boy, Joel Chandler Harris listened to the stories of African American slaves, and he devised a framework to turn the oral stories into written ones. Harris’s use of the frame structure influenced how Charles Chesnutt recorded oral stories, but it led Alice Walker to complain that her heritage had been stolen. Mark Twain listened to African American storytellers as a child. His use of oral dialects then impacts how Ralph Ellison and William Faulkner employ oral storytelling and how Toni Morrison later writes in response to Faulkner. The interactions are not linear, not a chain of influence, but a network of interactions, borrowings, and revisions. Ford’s pairings lead to new readings that reveal how the writers employ similar strategies in their narratives, due in part to shared historical context. While Zora Neale Hurston and William Faulkner, for example, use oral storytelling in the 1930s to examine the fear of racial mixing, Ellen Douglas and Ernest Gaines use it in the 1970s to build bridges between the races. Exploring the cultural crossing that occurs in the use of oral storytelling, Ford offers a different view of this common strategy in southern narrative and a new perspective on how culture is shared.


Tracing Southern Storytelling in Black and White
Language: en
Pages: 169
Authors: Sarah Gilbreath Ford
Categories: Literary Criticism
Type: BOOK - Published: 2014-10-15 - Publisher: University of Alabama Press

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Explores how both black and white southern writers such as Joel Chandler Harris, Charles Chesnutt, Zora Neale Hurston, William Faulkner, Eudora Welty, Ralph Ell
The South in Black and White
Language: en
Pages: 228
Authors: McKay Jenkins
Categories: Literary Criticism
Type: BOOK - Published: 2005-10-12 - Publisher: Univ of North Carolina Press

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If the nation as a whole during the 1940s was halfway between the Great Depression of the 1930s and the postwar prosperity of the 1950s, the South found itself
White and Black
Language: en
Pages:
Authors: Elizabeth A. Biggs
Categories:
Type: BOOK - Published: - Publisher:

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Race and White Identity in Southern Fiction
Language: en
Pages: 194
Authors: J. Duvall
Categories: Literary Criticism
Type: BOOK - Published: 2008-04-28 - Publisher: Springer

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White southern writers are frequently associated with the racism of blackface minstrelsy in their representations of African American characters, however, this
White and Black, Vol. 3 of 3
Language: en
Pages: 370
Authors: Elizabeth Ashurst Biggs
Categories:
Type: BOOK - Published: 2018-01-29 - Publisher: Forgotten Books

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Excerpt from White and Black, Vol. 3 of 3: A Story of the Southern States When Chauncey galloped away from West Creek he had no definite intention' of going eit