The Philosophy Of Film Noir
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The Philosophy of Film Noir
Author | : Mark T. Conard |
Publisher | : University Press of Kentucky |
Total Pages | : 266 |
Release | : 2006-01-01 |
Genre | : Reference |
ISBN | : 0813123771 |
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Explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Frankfurt School. The authors, each focusing on a different aspect of the genre, explores the philosophical underpinnings of classic films.
The Philosophy of Film Noir Related Books
Language: en
Pages: 266
Pages: 266
Type: BOOK - Published: 2006-01-01 - Publisher: University Press of Kentucky
Explores philosophical themes and ideas inherent in classic noir and neo-noir films, establishing connections to diverse thinkers ranging from Camus to the Fran
Language: en
Pages: 396
Pages: 396
Type: BOOK - Published: 2005-01-27 - Publisher: University Press of Kentucky
An essay collection examining the philosophical elements of select films in noir cinema, as well as the genreās legacy in film and culture. A drifter with no
Language: en
Pages: 265
Pages: 265
Type: BOOK - Published: 2005-01-27 - Publisher: University Press of Kentucky
A drifter with no name and no past, driven purely by desire, is convinced by a beautiful woman to murder her husband. A hard-drinking detective down on his luck
Language: en
Pages: 268
Pages: 268
Type: BOOK - Published: 2007-08-17 - Publisher: University Press of Kentucky
From The Maltese Falcon (1941) to Touch of Evil (1958), the classic film noir is easily recognizable for its unusual lighting, sinister plots, and feeling of pa
Language: en
Pages: 368
Pages: 368
Type: BOOK - Published: 2008 - Publisher: Penn State Press
"Examines how African-American as well as international films deploy film noir techniques in ways that encourage philosophical reflection. Combines philosophy,