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Telling a story requires selecting and assembling individual elements of the events one wishes to communicate. The "nonnarrated" are the events (or parts of events) that were deliberately left out of the selection, meaning all that was not chosen to be told in the story, or chosen not to be told. Since the realm of the nonnarrated in any given story is infinitely large, studying the nonnarrated requires focusing on that which is not told but nevertheless belongs to a story. This monograph explores the phenomenon of the nonnarrated in narrative short forms from Cechov to Murakami and in novels by Dostoevskij and Robbe-Grillet.
Telling a story requires selecting and assembling individual elements of the events one wishes to communicate. The "nonnarrated" are the events (or parts of eve
In talking about contemporary media, we often use a language of newness, applying words like “revolution” and “disruption.” Yet, the emergence of new so
The narrator (the answer to the question "who speaks in the text?") is a commonly used notion in teaching literature and in literary criticism, even though it i
This book studies human rights discourse across a variety of graphic novels, both fiction and non-fiction, originating in different parts of the world, from Ind
