Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries

Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries
Author: Peter le Huray
Publisher: CUP Archive
Total Pages: 420
Release: 1988-04-07
Genre: Music
ISBN: 9780521359016


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This is an abridged, paperback edition of Peter le Huray and James Day's invaluable anthology of writings concerned with the role of music in eighteenth- and early-nineteenth-century aesthetics. This volume retains all the most important and significant items from the original hardcover edition. Over fifty writers are represented here, including such major figures as Rousseau, Kant, Schlegel, Schopenhauer and Hegel, and the useful introductions and biographical details of the original are also retained. The aesthetic literature of the period is profuse but this carefully edited volume offers a balanced selection which illuminates the ways people experienced music and how they came to an understanding in particular of the new music of their day.


Music and Aesthetics in the Eighteenth and Early Nineteenth Centuries
Language: en
Pages: 420
Authors: Peter le Huray
Categories: Music
Type: BOOK - Published: 1988-04-07 - Publisher: CUP Archive

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This is an abridged, paperback edition of Peter le Huray and James Day's invaluable anthology of writings concerned with the role of music in eighteenth- and ea
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Language: en
Pages: 80
Authors: Sarah Louise Mansell
Categories:
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Nineteenth-Century Music
Language: en
Pages: 432
Authors: Carl Dahlhaus
Categories: Biography & Autobiography
Type: BOOK - Published: 1989 - Publisher: Univ of California Press

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This magnificent survey of the most popular period in music history is an extended essay embracing music, aesthetics, social history, and politics, by one of th
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Language: en
Pages: 0
Authors: Edward A. Lippman
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Musical Aesthetics: The nineteenth century
Language: en
Pages: 496
Authors: Edward A. Lippman
Categories: Juvenile Nonfiction
Type: BOOK - Published: 1986 - Publisher: Pendragon Press

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The second volume of this anthology of musical aesthetics proceeds from the rational, common-sense examination of the 18th-century artistic experience to the re