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'Attempting no less a task than to demonstrate that Ibsen planned his last twelve plays, beginning with Pillars of Society, as a cycle paralleling exactly Hegel's account of the evolution of the human consciousness, The Phenomenology of Mind, Johnston offers a fresh look at the Norwegian master. Although there is little specific biographical data in support of the author's thesis, he argues compellingly for it in his analysis of the texts themselves. After discussing Hegel's dramatic method of exposition and Ibsen's philosophy, Johnston examines each of the twelve plays in considerable detail. Provocative and sophisticated in its approach, this volume should be widely available to scholars and advanced students of modern drama. ---Library Journal
'Attempting no less a task than to demonstrate that Ibsen planned his last twelve plays, beginning with Pillars of Society, as a cycle paralleling exactly Hegel
'Attempting no less a task than to demonstrate that Ibsen planned his last twelve plays, beginning with Pillars of Society, as a cycle paralleling exactly Hegel
Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" met
To the Third Empire was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and ar
Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" met
