The History of Chinese Animation I

The History of Chinese Animation I
Author: Taylor & Francis Group
Publisher: Routledge
Total Pages: 326
Release: 2022-02
Genre:
ISBN: 9781032235721


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This book describes the history, present and future of China's animation industry. The author divides the business's 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective while providing a detailed introduction to representative works from the business.


The History of Chinese Animation I
Language: en
Pages: 326
Authors: Taylor & Francis Group
Categories:
Type: BOOK - Published: 2022-02 - Publisher: Routledge

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This book describes the history, present and future of China's animation industry. The author divides the business's 95-year history into six periods and analys
The History of Chinese Animation I
Language: en
Pages: 326
Authors: Lijun Sun
Categories: Social Science
Type: BOOK - Published: 2020-05-27 - Publisher: Routledge

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China has been one of the first countries to develop its own aesthetic for dynamic images and to create animation films with distinctive characteristics. In rec
Chinese Animation
Language: en
Pages: 792
Authors: Rolf Giesen
Categories: Performing Arts
Type: BOOK - Published: 2014-12-19 - Publisher: McFarland

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With an output of more than 250,000 minutes annually, and with roughly 5,000 producers and production units, the Chinese are leading the field of animated films
Animation in China
Language: en
Pages: 272
Authors: Sean Macdonald
Categories: Performing Arts
Type: BOOK - Published: 2015-11-06 - Publisher: Routledge

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By the turn of the 21st century, animation production has grown to thousands of hours a year in the People’s Republic of China (PRC). Despite this, and unlike
Animated Encounters
Language: en
Pages: 276
Authors: Daisy Yan Du
Categories: Performing Arts
Type: BOOK - Published: 2019-02-28 - Publisher: University of Hawaii Press

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China’s role in the history of world animation has been trivialized or largely forgotten. In Animated Encounters Daisy Yan Du addresses this omission in her s