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The Floating World by novelist James A. Michener is a classic work on the Japanese print of the Edo period (1615-1868). Mr. Michener shows how the Japanese printmakers, cut off from revivifying contacts with the art of the rest of the world and hampered by their own governmental restrictions, were able to keep their art vital for two centuries through their vigor and determination. For this new edition, Howard A. Link updates the scholarship and expands on many theoretical aspects introduced in Michener's study.
The Floating World by novelist James A. Michener is a classic work on the Japanese print of the Edo period (1615-1868). Mr. Michener shows how the Japanese prin
In the far future, an Earth-born woman must negotiate with a fearsome mutant race: “On a par with Ursula LeGuin or Arthur C. Clarke” (Chicago Tribune). Two
This ambitious and groundbreaking publication accompanies an exhibition of highlights from the early ukiyo-e holdings of the Museum of Fine Arts, Boston. Much o
This work discusses the art of the Japanese tattoo in the context of Ukiyo-e, focusing on the parallel histories of the woodblock print and the tattoo.
