The Commercial Theater Institute Guide to Producing Plays and Musicals

The Commercial Theater Institute Guide to Producing Plays and Musicals
Author: Frederic B. Vogel
Publisher: Hal Leonard Corporation
Total Pages: 419
Release: 2006
Genre: Performing Arts
ISBN: 1557836523


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Presents contributions from agents, directors, production designers, general managers, fundraisers, marketing directors, theatrical attorneys, and producers in theater to create this guide for commercial theater producers.


The Commercial Theater Institute Guide to Producing Plays and Musicals
Language: en
Pages: 419
Authors: Frederic B. Vogel
Categories: Performing Arts
Type: BOOK - Published: 2006 - Publisher: Hal Leonard Corporation

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Presents contributions from agents, directors, production designers, general managers, fundraisers, marketing directors, theatrical attorneys, and producers in
The Commercial Theater Institute Guide to Producing Plays and Musicals
Language: en
Pages: 290
Authors: Frederic B. Vogel
Categories: Performing Arts
Type: BOOK - Published: 2007-01-01 - Publisher: Hal Leonard Corporation

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(Applause Books). The Commercial Theater Institute sponsors an annual intensive program in New York for individuals interested in producing or investing in the
Producing Theatre
Language: en
Pages: 496
Authors: Donald C. Farber
Categories: Law
Type: BOOK - Published: 1987 - Publisher: Amadeus Press

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For the professional and student here is a basic guide to raising money, obtaining rights and bringing a play to the stage. Appendices include actual examples o
So You Want to be a Theatre Producer?
Language: en
Pages: 0
Authors: James Seabright
Categories: Performing Arts
Type: BOOK - Published: 2010 - Publisher:

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Intended for producers at student or amateur level. The first how-to book of its kind on the subject of producing.
The Business of Broadway
Language: en
Pages: 269
Authors: Mitch Weiss
Categories: Performing Arts
Type: BOOK - Published: 2015-07-14 - Publisher: Simon and Schuster

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New York’s Broadway theatre scene has long been viewed as the “top of the heap” in the world theatre community. Taking lessons from the very best, this in