Political Film

Political Film
Author: Mike Wayne
Publisher: Pluto Press
Total Pages: 178
Release: 2001-06-20
Genre: Performing Arts
ISBN: 9780745316697


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Wayne (Brunel U.) analyzes The Battle of Algiers as an example of films that fall within the body of theory and filmmaking practice committed to social and cultural emancipation that emerged a decade after and was influenced by the 1959 Cuban Revolution. Then he traces the changing dialectics of the First, Second, and Third Cinema movements. Distributed in the US by Stylus. Annotation copyrighted by Book News, Inc., Portland, OR


Political Film
Language: en
Pages: 178
Authors: Mike Wayne
Categories: Performing Arts
Type: BOOK - Published: 2001-06-20 - Publisher: Pluto Press

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Wayne (Brunel U.) analyzes The Battle of Algiers as an example of films that fall within the body of theory and filmmaking practice committed to social and cult
The Cinematic Political
Language: en
Pages: 313
Authors: Michael J. Shapiro
Categories: Political Science
Type: BOOK - Published: 2019-11-01 - Publisher: Routledge

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In this book, Michael J. Shapiro stages a series of pedagogical encounters between political theory, represented as a compositional challenge, and cinematic tex
The New Face of Political Cinema
Language: en
Pages: 204
Authors: Martin O’Shaughnessy
Categories: Performing Arts
Type: BOOK - Published: 2008-01-01 - Publisher: Berghahn Books

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Since 1995 there has been a widespread return of commitment to French cinema taking it to a level unmatched since the heady days following 1968. But this new wa
The Politics and Poetics of Cinematic Realism
Language: en
Pages: 276
Authors: Hermann Kappelhoff
Categories: Performing Arts
Type: BOOK - Published: 2015-08-11 - Publisher: Columbia University Press

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Hermann Kappelhoff casts the evolution of cinema as an ongoing struggle to relate audiences to their historical moment. Appreciating cinema's unique ability to
Cinema/Politics/Philosophy
Language: en
Pages: 239
Authors: Nico Baumbach
Categories: Performing Arts
Type: BOOK - Published: 2018-10-30 - Publisher: Columbia University Press

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Almost fifty years ago, Jean-Louis Comolli and Jean Narboni published the manifesto “Cinema/Ideology/Criticism,” helping to set the agenda for a generation