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Shin Sang-ok (19262006) was arguably the most important Korean filmmaker of the postwar era. Over seven decades, he directed or produced nearly two hundred films, and his career took him from late-colonial Korea to postwar South and North Korea to Hollywood. In Split Screen Korea, Steven Chung illuminates the story of postwar Korean film and popular culture through the first in-depth account in English of Shins remarkable career. Combining close readings of a broad range of films with research on the industrial and political conditions of Korean film production, Split Screen Korea shows how cinematic styles, popular culture, and intellectual discourse bridged the divisions of postwar Korea, raising new questions about the implications of political partition.
Shin Sang-ok (19262006) was arguably the most important Korean filmmaker of the postwar era. Over seven decades, he directed or produced nearly two hundred fi
Shin Sang-ok (1926–2006) was arguably the most important Korean filmmaker of the postwar era. Over seven decades, he directed or produced nearly 200 films, in
Since the end of the nineteenth century, the Korean people have faced successive waves of foreign domination, authoritarian regimes, forced dispersal, and divid
In recent decades, Korean communication and media have substantially grown to become some of the most significant segments of Korean society. Since the early 19
South Korea in the 1950s was home to a burgeoning film culture, one of the many “Golden Age cinemas” that flourished in Asia during the postwar years. Cold