Showdown, Confronting Modern America in the Western Film

Showdown, Confronting Modern America in the Western Film
Author: John H. Lenihan
Publisher: University of Illinois Press
Total Pages: 228
Release: 1980
Genre: Performing Arts
ISBN: 9780252012549


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Showdown is a study of America's oldest, most representative film genre, the Western movie from the perspective of social allegory. It assesses scores of major and minor films to show how Westerns function as vehicles for contemporary social and political critiques of American life.


Showdown, Confronting Modern America in the Western Film
Language: en
Pages: 228
Authors: John H. Lenihan
Categories: Performing Arts
Type: BOOK - Published: 1980 - Publisher: University of Illinois Press

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Showdown is a study of America's oldest, most representative film genre, the Western movie from the perspective of social allegory. It assesses scores of major
Wanted Dead Or Alive
Language: en
Pages: 330
Authors: Richard Aquila
Categories: Popular culture
Type: BOOK - Published: 1996 - Publisher: University of Illinois Press

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Following Richard Aquila's introduction, which examines the birth and growth of the pop culture West in the context of American history, noted expects explore d
Genre Hybridisation
Language: en
Pages: 372
Authors: Ivo Ritzer
Categories: Social Science
Type: BOOK - Published: 2016-01-28 - Publisher: Schüren Verlag

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Der Band widmet sich den vielfältigen Globalisierungsprozessen in filmischen Genrekonfigurationen. Dieser bislang erst in Ansätzen erforschte Themenkomplex wi
Hollywood's High Noon
Language: en
Pages: 304
Authors: Thomas Cripps
Categories: History
Type: BOOK - Published: 1996-11-13 - Publisher: Johns Hopkins University Press

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A lively narrative history of Hollywood's classical age. Over the last twenty-five years, the field of cinema studies has offered a dramatic reassessment of the
Film and Politics in America
Language: en
Pages: 265
Authors: Brian Neve
Categories: Social Science
Type: BOOK - Published: 2004-08-02 - Publisher: Routledge

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In A Social Cinema: Film-making and Politics in America, Brian Neve presents a study of the social and political nature of American film by concentrating on a g