Relearning from Las Vegas

Relearning from Las Vegas
Author: Aron Vinegar
Publisher: U of Minnesota Press
Total Pages: 231
Release: 2009
Genre: Architecture
ISBN: 0816650608


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Evaluates for the first time one of the foundational works in architecture criticism. Immediately on its publication in 1972, Learning from Las Vegas, by Robert Venturi, Denise Scott Brown, and Steven Izenour, was hailed as a transformative work in the history and theory of architecture, liberating those in architecture who were trying to find a way out of the straitjacket of architectural orthodoxies. Resonating far beyond the professional and institutional boundaries of the field, the book contributed to a thorough rethinking of modernism and was subsequently taken up as an early manifestation and progenitor of postmodernism.


Relearning from Las Vegas
Language: en
Pages: 231
Authors: Aron Vinegar
Categories: Architecture
Type: BOOK - Published: 2009 - Publisher: U of Minnesota Press

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Evaluates for the first time one of the foundational works in architecture criticism. Immediately on its publication in 1972, Learning from Las Vegas, by Robert
Learning from Las Vegas
Language: en
Pages: 0
Authors: Robert Venturi
Categories:
Type: BOOK - Published: 1991 - Publisher:

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I Am a Monument
Language: en
Pages: 249
Authors: Aron Vinegar
Categories: Architectural writing
Type: BOOK - Published: 2008 - Publisher: MIT Press

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"Learning from Las Vegas, originally published by the MIT Press in 1972, was one of the most influential and controversial architectural books of its era. Thirt
Attention and Motor Skill Learning
Language: en
Pages: 232
Authors: Gabriele Wulf
Categories: Education
Type: BOOK - Published: 2007 - Publisher: Human Kinetics

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This is an ideal text for motor behaviour and cognitive psychology courses, as well as a reference for professionals with an interest in motor behaviour and hum
The Accidental Possibilities of the City
Language: en
Pages: 347
Authors: Katherine Smith
Categories: Art
Type: BOOK - Published: 2021-03-02 - Publisher: University of California Press

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Claes Oldenburg’s commitment to familiar objects has shaped accounts of his career, but his associations with Pop art and postwar consumerism have overshadowe