Realism and the Audiovisual Media

Realism and the Audiovisual Media
Author: L. Nagib
Publisher: Springer
Total Pages: 257
Release: 2009-10-29
Genre: Performing Arts
ISBN: 0230246974


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This collection examines two recent phenomena: the return of realist tendencies and practices in world cinema and television, and the 'rehabilitation' of realism in film and media theory. The contributors investigate these two phenomena in detail, querying their origins, relations, divergences and intersections from a variety of perspectives.


Realism and the Audiovisual Media
Language: en
Pages: 257
Authors: L. Nagib
Categories: Performing Arts
Type: BOOK - Published: 2009-10-29 - Publisher: Springer

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This collection examines two recent phenomena: the return of realist tendencies and practices in world cinema and television, and the 'rehabilitation' of realis
Realism and 'reality' in Film and Media
Language: en
Pages: 288
Authors: Anne Jerslev
Categories: Realism in films
Type: BOOK - Published: 2002 - Publisher: Museum Tusculanum Press

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The 2002 theme of 'Northern Lights' is dedicated to the representation of reality in film, TV and new media -- a question of new importance in modern film and m
World Cinema and the Ethics of Realism
Language: en
Pages: 308
Authors: LĂșcia Nagib
Categories: Performing Arts
Type: BOOK - Published: 2011-01-20 - Publisher: Bloomsbury Publishing USA

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World Cinema and the Ethics of Realism is a highly original study. Traditional views of cinematic realism usually draw on the so-called classical cinema and its
Cinema at the Periphery
Language: en
Pages: 282
Authors: Dina Iordanova
Categories: Performing Arts
Type: BOOK - Published: 2010 - Publisher: Wayne State University Press

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Highlights the industries, markets, identities, and histories that distinguish cinema beyond the traditional hubs of mainstream Western cinema. From Iceland to
The Politics and Poetics of Cinematic Realism
Language: en
Pages: 276
Authors: Hermann Kappelhoff
Categories: Performing Arts
Type: BOOK - Published: 2015-08-11 - Publisher: Columbia University Press

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Hermann Kappelhoff casts the evolution of cinema as an ongoing struggle to relate audiences to their historical moment. Appreciating cinema's unique ability to