Propaganda and the German Cinema, 1933-1945

Propaganda and the German Cinema, 1933-1945
Author: David Welch
Publisher: Bloomsbury Publishing
Total Pages: 329
Release: 2001-03-23
Genre: History
ISBN: 085771595X


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This is the most comprehensive analysis to date of Nazi film propaganda in its political, social, and economic contexts, from the pre-war cinema as it fell under the control of the Propaganda Minister, Joseph Goebbels, through to the end of the Second World War. David Welch studies more than one hundred films of all types, identifying those aspects of Nazi ideology that were concealed in the framework of popular entertainment.


Propaganda and the German Cinema, 1933-1945
Language: en
Pages: 329
Authors: David Welch
Categories: History
Type: BOOK - Published: 2001-03-23 - Publisher: Bloomsbury Publishing

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This is the most comprehensive analysis to date of Nazi film propaganda in its political, social, and economic contexts, from the pre-war cinema as it fell unde
The German Cinema Book
Language: en
Pages: 625
Authors: Tim Bergfelder
Categories: Performing Arts
Type: BOOK - Published: 2020-02-20 - Publisher: Bloomsbury Publishing

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This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key per
The Triumph of Propaganda
Language: en
Pages: 276
Authors: Hilmar Hoffmann
Categories: History
Type: BOOK - Published: 1996 - Publisher: Berghahn Books

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Seeing German film during the Third Reich as a powerful and sinister tool for both indoctrination and escapist pacification, analyses the pictorial and spoken l
Entertaining the Third Reich
Language: en
Pages: 372
Authors: Linda Schulte-Sasse
Categories: History
Type: BOOK - Published: 1996 - Publisher: Duke University Press

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On Nazi cinema
Popular Cinema of the Third Reich
Language: en
Pages: 292
Authors: Sabine Hake
Categories: Performing Arts
Type: BOOK - Published: 2001 - Publisher: University of Texas Press

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Too often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established gene