Popular Music and the Poetics of Self in Fiction

Popular Music and the Poetics of Self in Fiction
Author:
Publisher: BRILL
Total Pages: 368
Release: 2021-11-29
Genre: Literary Criticism
ISBN: 9004500685


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The volume explores the various intersections and interconnections of the self and popular music in fiction; it examines questions of musical taste and identity construction across decades, spaces, social groups, and cultural contexts, covering a wide range of literary and musical genres.


Popular Music and the Poetics of Self in Fiction
Language: en
Pages: 368
Authors:
Categories: Literary Criticism
Type: BOOK - Published: 2021-11-29 - Publisher: BRILL

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The volume explores the various intersections and interconnections of the self and popular music in fiction; it examines questions of musical taste and identity
Confronting / Defining the Self
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Pages: 282
Authors: John A. McCarthy
Categories: Literary Criticism
Type: BOOK - Published: 2024-06-11 - Publisher: BRILL

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Early 20th-century literary critics Joseph Collins, Hermann Hesse, and Percy Lubbock concluded that the pages of a book present a succession of moments that the
Words, Music, and the Popular
Language: en
Pages: 265
Authors: Thomas Gurke
Categories: Literary Criticism
Type: BOOK - Published: 2022-01-03 - Publisher: Springer Nature

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Words, Music, and the Popular: Global Perspectives on Intermedial Relations opens up the notion of the popular, drawing useful links between wide-ranging aspect
Book of Rhymes
Language: en
Pages: 274
Authors: Adam Bradley
Categories: Music
Type: BOOK - Published: 2017-06-27 - Publisher: Civitas Books

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If asked to list the greatest innovators of modern American poetry, few of us would think to include Jay-Z or Eminem in their number. And yet hip hop is the sou
German Literature As a Transnational Field of Production, 1848-1919
Language: en
Pages: 345
Authors: Lynne Tatlock
Categories:
Type: BOOK - Published: 2023-06-13 - Publisher: Boydell & Brewer

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A collection of new essays bringing into view the push and pull of the national and the international in the German-language cultural field of the period. The c