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Nineteenth-century American romance, as a genre, is defined by the writings of a particular group of authors - James Fenimore Cooper, Washington Irving, Charles Brockden Brown, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, and Henry James - all of whom are associated with one another in time and place. In this volume, Emily Miller Budick examines the genre both as a style and within a historical context. She interprets American romance as an evolving literary aesthetic and cultural philosophy - as an effort by a group of writers to produce what Noah Webster called an "American tongue", a language imbued with the values of democracy and pluralism.
Nineteenth-century American romance, as a genre, is defined by the writings of a particular group of authors - James Fenimore Cooper, Washington Irving, Charles
American publishing in the long nineteenth century was flooded with readers, primers, teaching-training manuals, children’s literature, and popular periodical
The Oxford Handbook of Nineteenth-Century American Literature will offer a cutting-edge assessment of the period's literature, offering readers practical insigh
In January 1862, Charles Godwin courted Harriet Russell, ultimately unsuccessfully, with the following lines: "Like cadences of inexpressibly sweet music, your
This handbook offers students and researchers a compact introduction to the nineteenth-century American novel in the light of current debates, theoretical conce
