Nietzsche and Music

Nietzsche and Music
Author: Georges Liébert
Publisher: University of Chicago Press
Total Pages: 302
Release: 2004-01-15
Genre: Music
ISBN: 0226480879


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He also explores Nietzsche's listening habits, his playing and style of composition, and his many contacts in the musical world, including his controversial and contentious relationship with Richard Wagner. For Nietzsche, music gave access to a realm of wisdom that transcended thought. Music was Nietzsche's great solace; in his last years, it was his refuge from madness."--Jacket.


Nietzsche and Music
Language: en
Pages: 302
Authors: Georges Liébert
Categories: Music
Type: BOOK - Published: 2004-01-15 - Publisher: University of Chicago Press

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He also explores Nietzsche's listening habits, his playing and style of composition, and his many contacts in the musical world, including his controversial and
Nietzsche and Music
Language: en
Pages: 542
Authors: Aysegul Durakoglu
Categories: Philosophy
Type: BOOK - Published: 2022-06-24 - Publisher: Cambridge Scholars Publishing

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Friedrich Nietzsche (1844-1900) was not only a philosopher who loved and wrote about music; he was also a musician, pianist, and composer. In this ground-breaki
On Music and Words
Language: en
Pages: 98
Authors: Friedrich Nietzsche
Categories: Philosophy
Type: BOOK - Published: - Publisher: Livraria Press

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This unfinished essay on Aesthetics is one of his earliest commentaries on beauty, art and language. Here he asserts that music is the primary and more profound
Nietzsche's Orphans
Language: en
Pages: 336
Authors: Rebecca Mitchell
Categories: History
Type: BOOK - Published: 2016-01-05 - Publisher: Yale University Press

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A prevailing belief among Russia’s cultural elite in the early twentieth century was that the music of composers such as Sergei Rachmaninoff, Aleksandr Scriab
The Philosopher’s Touch
Language: en
Pages: 177
Authors: François Noudelmann
Categories: Philosophy
Type: BOOK - Published: 2012-01-03 - Publisher: Columbia University Press

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Renowned philosopher and prominent French critic François Noudelmann engages the musicality of Jean-Paul Sartre, Friedrich Nietzsche, and Roland Barthes, all o