Music Theory in Concept and Practice

Music Theory in Concept and Practice
Author: James M. Baker
Publisher:
Total Pages: 529
Release: 1997-01-01
Genre: Music
ISBN: 9781878822796


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Three principal areas of study are represented in this collection. One is historical research, which includes efforts to trace the development of theoretical ideas and their philosophical bases; the second area embraces the theory and analysis of common-practice tonality and its associated repertoire (including chromatic and transitional music); the third broad category includes the large body of work associated with theory and analysis of post-tonal music.


Music Theory in Concept and Practice
Language: en
Pages: 529
Authors: James M. Baker
Categories: Music
Type: BOOK - Published: 1997-01-01 - Publisher:

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Three principal areas of study are represented in this collection. One is historical research, which includes efforts to trace the development of theoretical id
Revisiting Music Theory
Language: en
Pages: 354
Authors: Alfred Blatter
Categories: Music
Type: BOOK - Published: 2012-08-06 - Publisher: Routledge

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Revisiting Music Theory: A Guide to the Practice contains the basics of music theory with the vocabulary used in harmonic and formal analysis. The book assumes
Towards a Global Music Theory
Language: en
Pages: 243
Authors: Mark Hijleh
Categories: Music
Type: BOOK - Published: 2016-02-24 - Publisher: Routledge

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Since the beginning of the twentieth century, the cross-pollenization of world musical materials and practices has accelerated precipitously, due in large part
Tonal Harmony in Concept and Practice
Language: en
Pages: 524
Authors: Allen Forte
Categories: Music
Type: BOOK - Published: 1974 - Publisher:

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"A self-contained and comprehensive college textbook, this new work provides the basis for both the one-year course in elementary harmony and the two-year cours
Music as Concept and Practice in the Late Middle Ages
Language: en
Pages: 522
Authors: Reinhard Strohm
Categories: Music
Type: BOOK - Published: 2001 - Publisher:

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This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of