Experience and Meaning in Music Performance

Experience and Meaning in Music Performance
Author: Martin Clayton
Publisher: Oxford University Press
Total Pages: 257
Release: 2013
Genre: Music
ISBN: 0199811326


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This book explores how the immediate experience of musical sound relates to processes of meaning construction and discursive mediation. A unique multi-authored work that both draws on and contributes to current debates in ethnomusicology, musicology, psychology, and cognitive science, it presents a novel and productive view of how cultural practice relates to the experience and meaning of musical performance.


Experience and Meaning in Music Performance
Language: en
Pages: 257
Authors: Martin Clayton
Categories: Music
Type: BOOK - Published: 2013 - Publisher: Oxford University Press

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This book explores how the immediate experience of musical sound relates to processes of meaning construction and discursive mediation. A unique multi-authored
Music, Performance, Meaning
Language: en
Pages: 378
Authors: Nicholas Cook
Categories: History
Type: BOOK - Published: 2017-07-05 - Publisher: Routledge

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This selection of sixteen of Nicholas Cook's essays covers the period from 1987 to 2004 and brings out the development of the author's ideas over these years. I
Psychology of Music
Language: en
Pages: 563
Authors: Diana Deutsch
Categories: Music
Type: BOOK - Published: 2013-10-22 - Publisher: Elsevier

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Approx.542 pages
Experience and Meaning in Music Performance
Language: en
Pages: 257
Authors: Martin Clayton
Categories: Music
Type: BOOK - Published: 2013-10-31 - Publisher: Oxford University Press

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How does the immediate experience of musical sound relate to processes of meaning construction and discursive mediation? This question lies at the heart of the
Musicking
Language: en
Pages: 241
Authors: Christopher Small
Categories: Music
Type: BOOK - Published: 2012-01-01 - Publisher: Wesleyan University Press

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Extending the inquiry of his early groundbreaking books, Christopher Small strikes at the heart of traditional studies of Western music by asserting that music