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Although the musical achievements of the Franco-Flemish school have attracted many writers, this book is the first to show how the artists and composers of Bruges worked side by side to shape their acoustic and visual environment and to express their fellow citizens' spiritual needs in art. By combining the methods of modern musicology and those of local historiography, Strohm vividly recreates the music of fourteenth- and fifteenth-century Flanders in its socio-economic context, from the pageants and minstrelsy of the court to popular entertainments and the earliest public concerts.
Although the musical achievements of the Franco-Flemish school have attracted many writers, this book is the first to show how the artists and composers of Brug
This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of
This book collects twelve of the papers given at a conference held at the Library of Congress, Washington D.C., on 1-3 April 1993, in conjunction with the exhib
An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.
Public religious practice lay at the heart of civic society in late medieval Europe. In this illuminating study, Andrew Brown draws on the rich and previously l