Museums in the Second World War

Museums in the Second World War
Author: Catherine Pearson
Publisher: Taylor & Francis
Total Pages: 307
Release: 2017-06-26
Genre: History
ISBN: 1351702556
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Peacetime: return to traditional collections concerns -- The past is intrinsic to museums -- The complexities of peacetime -- Appendix: primary sources -- References -- Index


Museums in the Second World War
Language: en
Pages: 307

Museums in the Second World War

Authors: Catherine Pearson
Categories: History
Type: BOOK - Published: 2017-06-26 - Publisher: Taylor & Francis

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Peacetime: return to traditional collections concerns -- The past is intrinsic to museums -- The complexities of peacetime -- Appendix: primary sources -- Refer
The Second World War in the Twenty-First-Century Museum
Language: de
Pages: 368

The Second World War in the Twenty-First-Century Museum

Authors: Stephan Jaeger
Categories: History
Type: BOOK - Published: 2020-02-24 - Publisher: Walter de Gruyter GmbH & Co KG

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The Second World War is omnipresent in contemporary memory debates. As the war fades from living memory, this study is the first to systematically analyze how S
The Enemy on Display
Language: en
Pages: 190

The Enemy on Display

Authors: Zuzanna Bogumił
Categories: Art
Type: BOOK - Published: 2015-06-01 - Publisher: Berghahn Books

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Eastern European museums represent traumatic events of World War II, such as the Siege of Leningrad, the Warsaw Uprisings, and the Bombardment of Dresden, in wa
Views of Violence
Language: en
Pages: 283

Views of Violence

Authors: Jörg Echternkamp
Categories: Art
Type: BOOK - Published: 2019-01-02 - Publisher: Berghahn Books

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Twenty-first-century views of historical violence have been immeasurably influenced by cultural representations of the Second World War. Within Europe, one of t
Does War Belong in Museums?
Language: en
Pages: 225

Does War Belong in Museums?

Authors: Wolfgang Muchitsch
Categories: Art
Type: BOOK - Published: 2014-04-30 - Publisher: transcript Verlag

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Presentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence