Middlebrow and Gender, 1890-1945

Middlebrow and Gender, 1890-1945
Author:
Publisher: BRILL
Total Pages: 283
Release: 2016-03-11
Genre: Literary Criticism
ISBN: 9004313370


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This volume demonstrates the significance middlebrow writing had for the dissemination of new concepts of gender to wider audiences. By exploring the media culture between 1890 and 1930 it gives evidence of the relative proximity between middlebrow writers and the avant-garde in their concern for gender issues.


Middlebrow and Gender, 1890-1945
Language: en
Pages: 283
Authors:
Categories: Literary Criticism
Type: BOOK - Published: 2016-03-11 - Publisher: BRILL

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This volume demonstrates the significance middlebrow writing had for the dissemination of new concepts of gender to wider audiences. By exploring the media cult
Women, Periodicals and Print Culture in Britain, 1890s-1920s
Language: en
Pages: 488
Authors: Faith Binckes
Categories: British periodicals
Type: BOOK - Published: 2019-04-10 - Publisher: Edinburgh University Press

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New perspectives on women's contributions to periodical culture in the era of modernismThis collection highlights the contributions of women writers, editors an
Sexuality and Gender in Fictions of Espionage
Language: en
Pages: 251
Authors: Ann Rea
Categories: Literary Criticism
Type: BOOK - Published: 2023-12-28 - Publisher: Bloomsbury Publishing

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An exploration of how espionage narratives give access to cultural conceptions of gender and sexuality before and following the Second World War, this book move
Middlebrow Modernism
Language: en
Pages: 277
Authors: Melinda J. Cooper
Categories: Literary Criticism
Type: BOOK - Published: 2022-10-01 - Publisher: Sydney University Press

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Eleanor Dark (1901–85) is one of Australia’s most innovative 20th-century writers. Her extensive oeuvre includes ten novels published from the early 1930s t
Modernism and Modernity in British Women’s Magazines
Language: en
Pages: 211
Authors: Alice Wood
Categories: Literary Criticism
Type: BOOK - Published: 2020-05-12 - Publisher: Routledge

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This book explores responses to the strangeness and pleasures of modernism and modernity in four commercial British women’s magazines of the interwar period.