Maud Lewis 1,2,3

Maud Lewis 1,2,3
Author: Shanda LaRamee-Jones
Publisher: Nimbus Publishing (CN)
Total Pages: 0
Release: 2017-10-17
Genre: Juvenile Fiction
ISBN: 9781771085212


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Maud Lewis 1-2-3 is a wonderful first counting book and introduction to the joy-filled art of Nova Scotia's most famous folk painter, Maud Lewis. Even the youngest babies will be drawn to the bright colours and bold forms in Lewis's whimsical paintings. Babies and toddlers will have fun searching the vibrant images to count the kittens, oxen, birds, and flowers on each page.


Maud Lewis 1,2,3
Language: en
Pages: 0
Authors: Shanda LaRamee-Jones
Categories: Juvenile Fiction
Type: BOOK - Published: 2017-10-17 - Publisher: Nimbus Publishing (CN)

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Maud Lewis 1-2-3 is a wonderful first counting book and introduction to the joy-filled art of Nova Scotia's most famous folk painter, Maud Lewis. Even the young
Canadian Art
Language: en
Pages: 380
Authors: Anne Newlands
Categories: Art
Type: BOOK - Published: 2000 - Publisher: Willowdale, Ont. : Firefly Books

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An original overview of Canadian art history that selects 300 representative artists and removes them from their predictable associations juxtaposing them to ma
Come, Thou Tortoise
Language: en
Pages: 434
Authors: Jessica Grant
Categories: Fiction
Type: BOOK - Published: 2010-03-09 - Publisher: Vintage Canada

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A delightfully offbeat story that features an opinionated tortoise and her owner who find themselves in the middle of a life-changing mystery. Audrey (a.k.a. Od
The Illuminated Life of Maud Lewis
Language: en
Pages: 0
Authors: Lance Woolaver
Categories: Art
Type: BOOK - Published: 1996 - Publisher: Nimbus Publishing (CN)

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Maud Lewis (1903-1970) was recognized and revered in her own lifetime. She offered her endearing images to the passing world through her roadside sign, Painting
For Folk’s Sake
Language: en
Pages: 405
Authors: Erin Morton
Categories: Art
Type: BOOK - Published: 2016-11-01 - Publisher: McGill-Queen's Press - MQUP

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Folk art emerged in twentieth-century Nova Scotia not as an accident of history, but in tandem with cultural policy developments that shaped art institutions ac