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Martz (English, emeritus, Yale) argues that the prophetic tradition, with its focus on the evils of the present, as well as the possibilities of redemption should be understood as an integral component of both the texture and contents of works by such modernist poets as Ezra Pound, William Carlos Williams, T. S. Eliot and others. Biblical prophecy, he asserts, is an important precedent for the tone and subject matter of these poets' works. Annotation copyrighted by Book News, Inc., Portland, OR
Martz (English, emeritus, Yale) argues that the prophetic tradition, with its focus on the evils of the present, as well as the possibilities of redemption shou
FOREWORD BY JOHN ORTBERG "Many people claim to ‘hear God’s voice,’ though not always with discernment. I’ve found Liz Ditty to be a trustworthy guide in
The most common English translations of the Bible often sound like a single, somewhat archaic voice. In fact, the Bible is made up of many separate books compos
The nature of silence is hard to grasp. This book serves to systematize this concept and explore it in the works of three major poets of religious experience: n