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In 1958, soon after his arrival in Los Angeles, Gary Graver caught a showing of die recently released Touch of Evil. Upon viewing the B classic, Graver decided he wanted to be a director and spent many years honing his craft, as both a cinematographer and a director, not to mention writer, actor, and producerùmuch like his idol, Orson Welles. In 1970, when Graver learned that Welles was in town, he impulsively called the director and offered his services as a cameraman. It was only the second time in Welles's career that he had received such an offer from a cinematographer, the other from Gregg Toland who worked on Citizen Kane. Book jacket.
In 1958, soon after his arrival in Los Angeles, Gary Graver caught a showing of die recently released Touch of Evil. Upon viewing the B classic, Graver decided
In the summer of 1970 legendary but self-destructive director Orson Welles returned to Hollywood from years of self-imposed exile in Europe and decided it was t
This book about "Touch of Evil" includes the continuity script, a biography of Orson Welles, an interview with Welles by Andre Bazih, an interview with Charlton
At the age of twenty-five, Orson Welles (1915–1985) directed, co-wrote, and starred in Citizen Kane, widely regarded as the greatest film ever made. But Welle
"There have long been rumors of a lost cache of tapes containing private conversations between Orson Welles and his friend the director Henry Jaglom, recorded o
