Love and Women in Early Chinese Fiction

Love and Women in Early Chinese Fiction
Author: Daniel Hsieh
Publisher: Chinese University Press
Total Pages: 352
Release: 2008
Genre: Education
ISBN: 9789629963057


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This book focuses on how women and love are portrayed in chuanqi fiction, a genre of Chinese literature of the Tang dynasty. It argues that the emergence of "love" as a theme in Chinese literature is closely related to the historical background of the Tang dynasty.


Love and Women in Early Chinese Fiction
Language: en
Pages: 352
Authors: Daniel Hsieh
Categories: Education
Type: BOOK - Published: 2008 - Publisher: Chinese University Press

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This book focuses on how women and love are portrayed in chuanqi fiction, a genre of Chinese literature of the Tang dynasty. It argues that the emergence of "lo
Love and Women in Early Chinese Fiction
Language: en
Pages: 340
Authors: Daniel Hsieh
Categories: Literary Criticism
Type: BOOK - Published: 2009-03-02 - Publisher: The Chinese University of Hong Kong Press

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In traditional China, upper-class literati were inevitably strongly influenced by Confucian doctrine and rarely touched upon such topics as love and women in th
Revolution Plus Love
Language: en
Pages: 294
Authors: Liu Jianmei
Categories: History
Type: BOOK - Published: 2003-09-30 - Publisher: University of Hawaii Press

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In the aftermath of the May Fourth movement, a growing expectation of revolution raised important intellectual issues about the position of the individual withi
Red is Not the Only Color
Language: en
Pages: 226
Authors: Patricia Angela Sieber
Categories: Literary Criticism
Type: BOOK - Published: 2001 - Publisher: Rowman & Littlefield

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As urban China has undergone a rapid transformation, same-sex relations have emerged as a significant, if previously neglected, touchstone for the exploration o
Red Is Not the Only Color
Language: en
Pages: 212
Authors: Patricia Sieber
Categories: Social Science
Type: BOOK - Published: 2001-09-05 - Publisher: Rowman & Littlefield Publishers

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The first English-language anthology of its kind, Red Is Not the Only Color offers a window into the uncharted terrain of intimate relations between Chinese wom