Light Moving in Time

Light Moving in Time
Author: William Charles Wees
Publisher:
Total Pages: 199
Release: 1992
Genre: Performing Arts
ISBN: 9780520073685


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To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing that are truer to actual human vision. Beginning with the proposition that the images of cinema and vision derive from the same basic elements--light, movement, and time--Wees argues that cinematic apparatus and human visual apparatus have significant properties in common. For that reason they can be brought into a dynamic, creative relationship which the author calls the dialectic of eye and camera. The consequences of this relationship are what Wees explores. Although previous studies have recognized the visual bias of avant-garde film, this is the first to place the visual aesthetics of avant-garde film in a long-standing, multidisciplinary discourse on vision, visuality, and art. To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing that are truer to actual human vision. Beginning with the proposition that the images of cinema and vision derive from the same basic elements--light, movement, and time--Wees argues that cinematic apparatus and human visual apparatus have significant properties in common. For that reason they can be brought into a dynamic, creative relationship which the author calls the dialectic of eye and camera. The consequences of this relationship are what Wees explores. Although previous studies have recognized the visual bias of avant-garde film, this is the first to place the visual aesthetics of avant-garde film in a long-standing, multidisciplinary discourse on vision, visuality, and art.


Light Moving in Time
Language: en
Pages: 199
Authors: William Charles Wees
Categories: Performing Arts
Type: BOOK - Published: 1992 - Publisher:

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To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, a
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Pages: 447
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Categories: Performing Arts
Type: BOOK - Published: 2013-05-20 - Publisher: Taylor & Francis

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Automated Lighting: The Art and Science of Moving Light in Theatre, Live Performance and Entertainment continues to be the most trusted text for working and asp
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Pages: 160
Authors: Alisse Waterston
Categories: Social Science
Type: BOOK - Published: 2020-10-01 - Publisher: University of Toronto Press

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What will become of us in these trying times? How will we pass the time that we have on earth? In gorgeously rendered graphic form, Light in Dark Times invites
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Language: en
Pages: 396
Authors: Noel Carroll
Categories: Performing Arts
Type: BOOK - Published: 1998-05-28 - Publisher: Cambridge University Press

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A collection of film essays by the well-respected critic, Noël Carroll.
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Language: en
Pages: 96
Authors: Stan Brakhage
Categories:
Type: BOOK - Published: 2021-09-09 - Publisher: Hassell Street Press

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the publi