Jazz Guitar Comping

Jazz Guitar Comping
Author: ANDREW GREEN
Publisher: Mel Bay Publications
Total Pages: 136
Release: 2017-04-04
Genre: Music
ISBN: 1619117282


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For most of the recorded history of jazz, the piano has been the main, and usually the only, comping instrument. This text will help guitarists get a handle on themost important job they have when playing in a small group: comping. This book can be used as a progressive study of comping or simply a source of ideas.Although rhythms and voice leading are found throughout the book, they areisolated for study in particular sections. The book and accompanying audio cover voice leading, multi-use voicings, voicing variations, passing chords, harmonized scales, intervallic comping, rhythm and studies (blues, standard, modern and modal). Includes access to online audio.


Jazz Guitar Comping
Language: en
Pages: 136
Authors: ANDREW GREEN
Categories: Music
Type: BOOK - Published: 2017-04-04 - Publisher: Mel Bay Publications

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For most of the recorded history of jazz, the piano has been the main, and usually the only, comping instrument. This text will help guitarists get a handle on
John Pisano's Jazz Guitar Comping Masterclass
Language: en
Pages: 96
Authors: John Pisano
Categories:
Type: BOOK - Published: 2021-08-12 - Publisher: WWW.Fundamental-Changes.com

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Are you bored of playing the same old jazz guitar chords? Playing rhythm guitar is one thing, but going beyond that to connect the chords with beautiful melodic
Easy Jazz Guitar
Language: en
Pages:
Authors: Mike Diliddo
Categories: Music
Type: BOOK - Published: 2015-04 - Publisher: Alfred Music

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This book and 2 CD set, with simple comping over the standards on Jamey Aebersold's Volume 54: Maiden Voyage, is designed for the guitarist with little or no ja
Comping Standards for Jazz Guitar
Language: en
Pages: 0
Authors: Jim Ferguson
Categories: Guitar
Type: BOOK - Published: 2014-04-17 - Publisher:

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Jazz Guitar Technique
Language: en
Pages: 112
Authors: Andrew Green
Categories: Music
Type: BOOK - Published: 2018-09-13 - Publisher: Mel Bay Publications

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When improvising, what your mind hears is more often than not determined by what your body can reproduce on your instrument. Much of your conception as an impro