Teaching in the Art Museum

Teaching in the Art Museum
Author: Rika Burnham
Publisher: Getty Publications
Total Pages: 182
Release: 2011
Genre: Art
ISBN: 1606060589


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Teaching in the Art Museum investigates the mission, history, theory, practice, and future prospects of museum education. In this book Rika Burnham and Elliott Kai-Kee define and articulate a new approach to gallery teaching, one that offers groups of visitors deep and meaningful experiences of interpreting art works through a process of intense, sustained looking and thoughtfully facilitated dialogue.--[book cover].


Teaching in the Art Museum
Language: en
Pages: 182
Authors: Rika Burnham
Categories: Art
Type: BOOK - Published: 2011 - Publisher: Getty Publications

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Teaching in the Art Museum investigates the mission, history, theory, practice, and future prospects of museum education. In this book Rika Burnham and Elliott
Interpreting Art in Museums and Galleries
Language: en
Pages: 244
Authors: Christopher Whitehead
Categories: Art
Type: BOOK - Published: 2011-12-02 - Publisher: Routledge

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In this pioneering book, Christopher Whitehead provides an overview and critique of art interpretation practices in museums and galleries. Covering the philosop
Interpreting the Art Museum
Language: en
Pages: 404
Authors: Graeme Farnell
Categories: Business & Economics
Type: BOOK - Published: 2015-10-14 - Publisher:

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The successful interpretation of art collections can be both challenging and contentious. How to avoid damaging the relationship between viewer and art work? Ho
Museum Gallery Interpretation and Material Culture
Language: en
Pages: 278
Authors: Juliette Fritsch
Categories: Art
Type: BOOK - Published: 2012-12-06 - Publisher: Routledge

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Museum Gallery Interpretation and Material Culture publishes the proceedings of the first annual Sackler Centre for Arts Education conference at the Victoria an
Museums, Power, Knowledge
Language: en
Pages: 362
Authors: Tony Bennett
Categories: Social Science
Type: BOOK - Published: 2017-11-01 - Publisher: Routledge

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Few perspectives have invigorated the development of critical museum studies over the late twentieth and early twenty-first centuries as much as Foucault’s ac