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This book is about haunting in modernist literature. Offering an extended and textually-sensitive reading of modernist spectrality that has yet to be undertaken by scholars of either haunting or modernism, it provides a fresh reconceptualization of modernist haunting by synthesizing recent critical work in the fields of haunting studies, Gothic modernisms, and mourning modernisms. The chapters read the form and function of the ghostly as it appears in the work of a constellation of important modernist contributors, including T. S. Eliot, Virginia Woolf, D. H. Lawrence, Elizabeth Bowen, Wyndham Lewis, Richard Aldington, and Ford Madox Ford. It is of particular significance to scholars and students in a wide range of fields of study, including modernism, literary theory, and the Gothic.
This book is about haunting in modernist literature. Offering an extended and textually-sensitive reading of modernist spectrality that has yet to be undertaken
This book resituates the ghost story as a matter of literary hospitality and as part of a vital prehistory of modernism, seeing it not as a quaint neo-gothic or
Spiritualism is often dismissed by literary critics and historians as merely a Victorian fad. Helen Sword demonstrates that it continued to flourish well into t
Modernism is hot again. At the dawn of the twenty-first century, poets and architects, designers and critics, teachers and artists are rediscovering the virtues
Spectrality in Modernist Fiction argues that key modernist writers, chiefly Conrad, Forster, Butts, and Bowen, use spectral rhetoric to tackle problems of sex a