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In this innovative and learned study, Dennis Kezar examines how Renaissance poets conceive the theme of killing as a specifically representational and interpretive form of violence. Closely reading both major poets and lesser known authors of the early modern period, Kezar explores the ethical self-consciousness and accountability that attend literary killing, paying particular attention to the ways in which this reflection indicates the poet's understanding of his audience. Among the many poems through which Kezar explores the concept of authorial guilt elicited by violent representation are Skelton's Phyllyp Sparowe, Spenser's Faerie Queene, Shakespeare's Julius Caesar, the multi-authored Witch of Edmonton, and Milton's Samson Agonistes.
In this innovative and learned study, Dennis Kezar examines how Renaissance poets conceive the theme of killing as a specifically representational and interpret
"An unusually rewarding anthology whose most dangerous species remain Homo sapiens."— Kirkus Reviews Feline friends, canine companions and aviary associates a
THE TROUBLE BEGAN ON GRANITE LEDGE FARM WHEN NATE BREWSTER WAS FOUND DEAD, face down on the ledge where the ladder fell from the barn roof with him on it. His w
In this innovative and learned study, Dennis Kezar examines how Renaissance poets conceive the theme of killing as a specifically representational and interpret
"From the critically-acclaimed author and psychoanalyst Mikita Brottman comes the murky retelling of the murder of Mike Williams committed under the haze of fai
