Fundamentals of Acoustic Signal Processing

Fundamentals of Acoustic Signal Processing
Author: Mikio Tohyama
Publisher: Academic Press
Total Pages: 344
Release: 1998
Genre: Art
ISBN:


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Discrete representation of signals. Z- transform. Transfer function and frequency response function. Discrete fourier transform. Transfer function models and wave equations ...


Fundamentals of Acoustic Signal Processing
Language: en
Pages: 344
Authors: Mikio Tohyama
Categories: Art
Type: BOOK - Published: 1998 - Publisher: Academic Press

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Discrete representation of signals. Z- transform. Transfer function and frequency response function. Discrete fourier transform. Transfer function models and wa
Fundamentals of Acoustic Field Theory and Space-Time Signal Processing
Language: en
Pages: 707
Authors: Lawrence Ziomek
Categories: Technology & Engineering
Type: BOOK - Published: 2020-09-23 - Publisher: CRC Press

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Providing a wealth of information on fundamental topics in the areas of linear air and underwater acoustics, as well as space-time signal processing, this book
Fundamentals of Ocean Acoustics
Language: en
Pages: 262
Authors: L. Brekhovskikh
Categories: Science
Type: BOOK - Published: 2013-03-14 - Publisher: Springer Science & Business Media

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The continents of our planet have already been exploited to a great extent. Therefore man is turning his sight to the vast spaciousness of the ocean whose resou
Digital Signal Processing in Audio and Acoustical Engineering
Language: en
Pages: 228
Authors: Francis F. Li
Categories: Technology & Engineering
Type: BOOK - Published: 2019-04-02 - Publisher: CRC Press

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Starting with essential maths, fundamentals of signals and systems, and classical concepts of DSP, this book presents, from an application-oriented perspective,
Fundamentals of Signal Processing for Sound and Vibration Engineers
Language: en
Pages: 416
Authors: Kihong Shin
Categories: Science
Type: BOOK - Published: 2008-04-15 - Publisher: John Wiley & Sons

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Fundamentals of Signal Processing for Sound and Vibration Engineers is based on Joe Hammond’s many years of teaching experience at the Institute of Sound and